Lanky loidlings.

Squishy Schloompings.

Spiky Spa-doo-dlings.

Marina Cherry squeaks, zooms, and tiptoes through a micro-space. Fragmenting pieces of a spunky personal universe puddle over the stage for her solo performance, “Only Bones v1.6”.

Intriguingly engulfing, sporadically disturbing, this quirky conglomeration creates a mishmash of corporal and cerebral manipulations – a follow-up project to the original “Only Bones (v.1.0) created by Thomas Monckton. Bursting the bubbles of banality, in a balance between theatrical and physical, Marina nudges the limits, researching innovation amongst extreme constraints, using only one light, it is a maximisation of the minimal.